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Louis Blues” was Charles Anderson, a popular female impersonator in his day who included the song in his act as early as October 1914. However, historians Lynn Abbott and Doug Seroff state that the first singer to perform “St. It has long been reputed that Ethel Waters was the first to sing "Saint Louis Blues" in public. An instinct that wanted so much to live, to fling its arms to spread joy, took them by the heels." Something within them came suddenly to life. My eyes swept the floor anxiously, then suddenly I saw lightning strike. I tricked the dancers by arranging a tango introduction, breaking abruptly into a low-down blues. When St Louis Blues was written the tango was in vogue. Writing about the first time "Saint Louis Blues" was played (1914), Handy noted that "The one-step and other dances had been done to the tempo of Memphis Blues. Shields is often credited with creating this solo, but claims have been made for other early New Orleans clarinetists, including Emile Barnes. It is not found on any earlier recordings or published orchestrations of the tune.
#St st st stuttering song series#
The clarinet solo, with a distinctive series of rising partials, was first recorded by Larry Shields with the Original Dixieland Jass Band in 1921. With traditional New Orleans and New Orleans–style bands, the tune is one of a handful that includes a set traditional solo. Handy said his objective in writing the song was "to combine ragtime syncopation with a real melody in the spiritual tradition." While blues often became simple and repetitive in form, "Saint Louis Blues" has multiple complementary and contrasting strains, similar to classic ragtime compositions. It is played in the introduction and in the sixteen-measure bridge. The tango-like rhythm is notated as a dotted quarter note followed by an eighth note and two quarter notes, with no slurs or ties. The form is unusual in that the verses are the now-familiar standard twelve-bar blues in common time with three lines of lyrics, the first two lines repeated, but it also has a 16-bar bridge written in the habanera rhythm, popularly called the " Spanish tinge" and characterized by Handy as tango.
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The original published sheet music is available online from the United States Library of Congress in a searchable database of African-American music from Brown University. At the time of his death in 1958, Handy was earning royalties of upwards of US$25,000 annually for the song (equivalent to about $200,000 in 2016). The song was a massive and enduring success. Louis in 1892: "It had numerous one-line verses and they would sing it all night." Handy's autobiography recounts his hearing the tune in St. Louis distraught over her husband's absence, who lamented, "Ma man's got a heart like a rock cast in de sea", a key line of the song. Handy said he had been inspired by a chance meeting with a woman on the streets of St.